Many translated example sentences containing "science fiction" – German-English dictionary and search engine for German translations. Science Fiction - die Welt der Wissenschaft der Zukunft. Während es im Genre der Fantasy-Geschichten meist um rein fiktive Welten und Lebewesen geht. Gruselige Horrorfilme aus dem Fantasy und Science Fiction Genre auf DVD oder Blu-ray im großen Sortiment bei Thalia. Jetzt Filme & Serien bequem online.
Science-Fiction ist ein Genre in Literatur, Film, Hörspiel, Videospiel und Kunst. Charakteristisch sind wissenschaftlich-technische Spekulationen, Raumfahrtthemen, ferne Zukunft, fremde Zivilisationen und meist zukünftige Entwicklungen. Auch die. Science-Fiction [ˌsaɪəns ˈfɪkʃən̩] (englisch science: Wissenschaft, fiction: Fiktion) ist ein Genre in Literatur (Prosa, Comic), Film, Hörspiel, Videospiel und. Science-Fiction ist ein Filmgenre, dem Filme zugeordnet werden, die sich mit fiktionalen Techniken sowie wissenschaftlichen Leistungen und deren möglichen. Geplante Fortsetzung der „Transformers“-Filmreihe, in der gute Autobots auf der Erde gegen böse Decepticons kämpfen. Genre: Science-Fiction-Film. User-. Finden Sie Ihre Lieblings-Science-Fiction-Filme: Alle Filme des Genres Science-Fiction, sortiert von A bis Z. Science Fiction - die Welt der Wissenschaft der Zukunft. Während es im Genre der Fantasy-Geschichten meist um rein fiktive Welten und Lebewesen geht. Gruselige Horrorfilme aus dem Fantasy und Science Fiction Genre auf DVD oder Blu-ray im großen Sortiment bei Thalia. Jetzt Filme & Serien bequem online.
Geplante Fortsetzung der „Transformers“-Filmreihe, in der gute Autobots auf der Erde gegen böse Decepticons kämpfen. Genre: Science-Fiction-Film. User-. Finden Sie Ihre Lieblings-Science-Fiction-Filme: Alle Filme des Genres Science-Fiction, sortiert von A bis Z. Many translated example sentences containing "science fiction" – German-English dictionary and search engine for German translations.
Science-Fiction - Faszination Science Fiction-BücherBestseller-Erfolge feierte Frank Schätzing mit seinen umfangreichen, intensiv recherchierten Wissenschaftsthrillern Der Schwarm und Limit. Dadurch entdeckte das Kino die Möglichkeiten der Science-Fiction. In den er Jahren schwand das Interesse an Science-Fiction dann zunehmend, als das Interesse zu audiovisuellen Medien überging. Diese Position ist jedoch umstritten, da in der Praxis die meisten Science-Fiction-Nova naturwissenschaftlich ungeklärt oder spekulativ sind oder es wenn auch selten vorkommt, dass heutige wissenschaftliche Grundlagen für Science-Fiction-Ideen hinfällig werden.
KITT from the Knight Rider series and quantum computers , like in the movie Stealth and Transcendence , also will be available eventually.
Furthermore, although Clarke's laws do not classify "sufficiently advanced" technologies , the Kardashev scale measures a civilization's level of technological advancement into types.
Due to its exponential nature, sci-fi civilizations usually only attain Type I harnessing all the energy attainable from a single planet , and strictly speaking often not even that.
The concept of life, particularly intelligent life, having an extraterrestrial origin is a popular staple of science fiction films.
Early films often used alien life forms as a threat or peril to the human race, where the invaders were frequently fictional representations of actual military or political threats on Earth as observed in films such as Mars Attacks!
Some aliens were represented as benign and even beneficial in nature in such films as Escape to Witch Mountain , E. In order to provide subject matter to which audiences can relate, the large majority of intelligent alien races presented in films have an anthropomorphic nature, possessing human emotions and motivations.
However, the aliens in Stargate and Prometheus were human in physical appearance but communicated in an alien language.
A few films have tried to represent intelligent aliens as something utterly different from the usual humanoid shape e. An intelligent life form surrounding an entire planet in Solaris , the ball shaped creature in Dark Star , microbial-like creatures in The Invasion , shape-shifting creatures in Evolution.
Recent trends in films involve building-size alien creatures like in the movie Pacific Rim where the CGI has tremendously improved over the previous decades as compared in previous films such as Godzilla.
A frequent theme among science fiction films is that of impending or actual disaster on an epic scale. These often address a particular concern of the writer by serving as a vehicle of warning against a type of activity, including technological research.
In the case of alien invasion films, the creatures can provide as a stand-in for a feared foreign power. Disaster films typically fall into the following general categories: [ citation needed ].
While monster films do not usually depict danger on a global or epic scale, science fiction film also has a long tradition of movies featuring monster attacks.
These differ from similar films in the horror or fantasy genres because science fiction films typically rely on a scientific or at least pseudo-scientific rationale for the monster's existence, rather than a supernatural or magical reason.
Often, the science fiction film monster is created, awakened, or "evolves" because of the machinations of a mad scientist, a nuclear accident, or a scientific experiment gone awry.
The core mental aspects of what makes us human has been a staple of science fiction films, particularly since the s. Blade Runner examined what made an organic-creation a human, while the RoboCop series saw an android mechanism fitted with the brain and reprogrammed mind of a human to create a cyborg.
The idea of brain transfer was not entirely new to science fiction film, as the concept of the " mad scientist " transferring the human mind to another body is as old as Frankenstein while the idea of corporations behind mind transfer technologies is observed in later films such as Gamer , Avatar , and Surrogates.
Films such as Total Recall have popularized a thread of films that explore the concept of reprogramming the human mind.
Voluntary erasure of memory is further explored as themes of the films Paycheck and Eternal Sunshine of the Spotless Mind. Some films like Limitless explore the concept of mind enhancement.
The anime series Serial Experiments Lain also explores the idea of reprogrammable reality and memory.
The idea that a human could be entirely represented as a program in a computer was a core element of the film Tron. This would be further explored in the film version of The Lawnmower Man , Transcendence , and Ready Player One and the idea reversed in Virtuosity as computer programs sought to become real persons.
In The Matrix series, the virtual reality world became a real-world prison for humanity, managed by intelligent machines. In movies such as eXistenZ , The Thirteenth Floor , and Inception , the nature of reality and virtual reality become intermixed with no clear distinguishing boundary.
Telekinesis and telepathy are featured in movies like Star Wars , The Last Mimzy , Race to Witch Mountain , Chronicle , and Lucy while precognition is featured in Minority Report as well as in The Matrix saga in which precognition is achieved by knowing the artificial world.
In early films, robots were usually played by a human actor in a boxy metal suit, as in The Phantom Empire , although the female robot in Metropolis is an exception.
Robots in films are often sentient and sometimes sentimental, and they have filled a range of roles in science fiction films.
As well, robots have been formidable movie villains or monsters e. In some cases, robots have even been the leading characters in science fiction films; in the film Blade Runner , many of the characters are bioengineered android " replicants ", in the animated films WALL-E , Monsters vs.
Films like Bicentennial Man , A. Artificial Intelligence , Chappie , and Ex Machina depicted the emotional fallouts of robots that are self-aware.
Other films like The Animatrix The Second Renaissance present the consequences of mass-producing self-aware androids as humanity succumbs to their robot overlords.
One popular theme in science fiction film is whether robots will someday replace humans, a question raised in the film adaptation of Isaac Asimov 's I, Robot in jobs and in the film Real Steel in sports , or whether intelligent robots could develop a conscience and a motivation to protect, take over, or destroy the human race as depicted in The Terminator , Transformers , and in Avengers: Age of Ultron.
Another theme is remote telepresence via androids as depicted in Surrogates and Iron Man 3. As artificial intelligence becomes smarter due to increasing computer power , some sci-fi dreams have already been realized.
For example, the computer Deep Blue beat the world chess champion in and a documentary film, Game Over: Kasparov and the Machine , was released in Another famous computer called Watson defeated the two best human Jeopardy game show players in and a NOVA documentary film, Smartest Machine on Earth , was released in the same year.
Building-size robots are also becoming a popular theme in movies as featured in Pacific Rim. Future live action films may include an adaptation of popular television series like Voltron and Robotech.
While "size does matter", a famous tagline of the movie Godzilla , incredibly small robots, called nanobots , do matter as well e.
Borg nanoprobes in Star Trek and nanites in I, Robot. The concept of time travel —travelling backwards and forwards through time—has always been a popular staple of science fiction film and science fiction television series.
Time travel usually involves the use of some type of advanced technology, such as H. Other movies, such as the Planet of the Apes series, Timeline and The Last Mimzy , explained their depictions of time travel by drawing on physics concepts such as the special relativity phenomenon of time dilation which could occur if a spaceship was travelling near the speed of light and wormholes.
Some films show time travel not being attained from advanced technology, but rather from an inner source or personal power, such as the s-era films Donnie Darko , Mr.
More conventional time travel movies use technology to bring the past to life in the present, or in a present that lies in our future.
The film Iceman told the story of the reanimation of a frozen Neanderthal. The film Freejack shows time travel used to pull victims of horrible deaths forward in time a split-second before their demise, and then use their bodies for spare parts.
A common theme in time travel film is the paradoxical nature of travelling through time. The Back to the Future series and The Time Machine goes one step further and explores the result of altering the past, while in Star Trek: First Contact and Star Trek the crew must rescue the Earth from having its past altered by time-travelling cyborgs and alien races.
The science fiction film genre has long served as useful means of discussing sensitive topical issues without arousing controversy, and it often provides thoughtful social commentary on potential unforeseen future issues.
The fictional setting allows for a deeper examination and reflection of the ideas presented, with the perspective of a viewer watching remote events.
Most controversial issues in science fiction films tend to fall into two general storylines, Utopian or dystopian. Either a society will become better or worse in the future.
Because of controversy, most science fiction films will fall into the dystopian film category rather than the Utopian category.
The types of commentary and controversy presented in science fiction films often illustrate the particular concerns of the periods in which they were produced.
Early science fiction films expressed fears about automation replacing workers and the dehumanization of society through science and technology.
For example, The Man in the White Suit used a science fiction concept as a means to satirize postwar British "establishment" conservatism, industrial capitalists, and trade unions.
He controls the shuttle, and later harms its crew. Soylent Green , Elysium. The monster movies of the s—like Godzilla —served as stand-ins for fears of nuclear war , communism and views on the cold war.
Logan's Run depicted a futuristic swingers ' utopia that practiced euthanasia as a form of population control and The Stepford Wives anticipated a reaction to the women's liberation movement.
Enemy Mine demonstrated that the foes we have come to hate are often just like us, even if they appear alien. Contemporary science fiction films continue to explore social and political issues.
One recent example is Minority Report , debuting in the months after the terrorist attacks of September 11, , and focused on the issues of police powers, privacy and civil liberties in a near-future United States.
More recently, the headlines surrounding events such as the Iraq War , international terrorism , the avian influenza scare, and United States anti-immigration laws have found their way into the consciousness of contemporary filmmakers.
The film V for Vendetta drew inspiration from controversial issues such as the Patriot Act and the War on Terror , [ citation needed ] while science fiction thrillers such as Children of Men also , District 9 , and Elysium commented on diverse social issues such as xenophobia , propaganda , and cognitive dissonance.
Avatar had remarkable resemblance to colonialism of native land, mining by multinational-corporations and the Iraq War.
Lancaster University professor Jamaluddin Bin Aziz argues that as science fiction has evolved and expanded, it has fused with other film genres such as gothic thrillers and film noir.
When science fiction integrates film noir elements, Bin Aziz calls the resulting hybrid form "future noir", a form which " Future noir films that are set in a post-apocalyptic world " When compared to science-fiction literature , science-fiction films often rely less on the human imagination and more upon action scenes and special effect -created alien creatures and exotic backgrounds.
Since the s, film audiences have come to expect a high standard for special effects in science-fiction films. Nevertheless, some critically acclaimed science-fiction movies have followed in the path of science-fiction literature, using story development to explore abstract concepts.
By the time Verne's work fell out of copyright in , the adaptations were treated [ by whom? Verne's works have been adapted a number of times since then, including 20, Leagues Under the Sea , From the Earth to the Moon , and two film versions of Journey to the Center of the Earth in and Wells 's novels The Invisible Man , Things to Come and The Island of Doctor Moreau were all adapted into films during his lifetime — , while The War of the Worlds , updated in and again in , was adapted to film at least four times altogether.
With the drop-off in interest in science-fiction films during the s, few of the "golden age" science-fiction authors made it to the screen. A novella by John W.
Campbell provided the basis for The Thing from Another World Robert A. Heinlein contributed to the screenplay for Destination Moon , but none of his major works were adapted for the screen until the s: The Puppet Masters and Starship Troopers The fiction of Isaac Asimov — influenced the Star Wars and Star Trek films, but it was not until that a film version of one of his short stories Nightfall was produced.
The first major motion-picture adaptation of a full-length Asimov work was Bicentennial Man based on the short stories Bicentennial Man and The Positronic Man , the latter co-written with Robert Silverberg , although I, Robot , a film loosely based on Asimov's book of short stories by the same name, drew more attention.
The film adaptation of some of the stories of science-fiction author Arthur C. Clarke as A Space Odyssey won the Academy Award for Visual Effects and offered thematic complexity not typically associated with the science-fiction genre at the time.
Reflecting the times, two earlier science-fiction works by Ray Bradbury were adapted for cinema in the s: Fahrenheit and The Illustrated Man Philip K.
Dick 's fiction has been used in a number of science-fiction films, in part because it evokes the paranoia [ citation needed ] that has been a central feature of the genre.
These films represent loose adaptations of the original stories, with the exception of A Scanner Darkly , which cleaves close to Dick's book.
The estimated North American box-office market-share of science fiction as of [update] comprised 4. From Wikipedia, the free encyclopedia.
Film genre. Pre s s s s s s s s s s s TV. Main article: History of science fiction films. Play media. See also: List of science fiction films before and List of science fiction films of the s.
See also: List of science fiction films of the s , List of science fiction films of the s , and List of science fiction films of the s.
See also: List of science fiction films of the s. See also: List of science fiction films of the s and List of science fiction films of the s.
Further information: List of science fiction films of the s. Main article: Extraterrestrials in fiction. Main article: Disaster film. Main article: Monster movie.
Main article: Time travel in fiction. This section needs expansion. You can help by adding to it. August Star wars, alien, and blade runner.
Screening space: the American science fiction film. Rutgers University Press. Film and the nuclear age: representing cultural anxiety.
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