Online-Einkauf von Looper - Gitarren & Equipment mit großartigem Angebot im Musikinstrumente & DJ-Equipment Shop. Die Mafia nutzt in der Zukunft die Möglichkeit der Zeitreisen, um ihre Zielpersonen zu eliminieren. Dabei helfen ihnen Auftragskiller aus der Vergangenheit. Einer von ihnen ist der jährige Joe, der dank seines skrupellosen Jobs ein angenehmes. Looper (Film) – Wikipedia.
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Die Mafia nutzt in der Zukunft die Möglichkeit der Zeitreisen, um ihre Zielpersonen zu eliminieren. Dabei helfen ihnen Auftragskiller aus der Vergangenheit. Einer von ihnen ist der jährige Joe, der dank seines skrupellosen Jobs ein angenehmes. Looper (Film) – Wikipedia. Looper bezeichnet: ein Werkzeug zur Klanggestaltung, siehe Loop (Musik); einen Diabetiker, der ein „Closed-Loop-System“ mit freier Software einsetzt, siehe. Looper bei Europas größtem Musikhaus - Schneller Versand, 30 Tage Money-Back und 3 Jahre Thomann Garantie. Looper. ()IMDb 7,41 Std. 58 MinX-Ray In der Zukunft ist Zeitreise möglich. Das organisierte Verbrechen hat eine innovative Verwendung für die. Online-Einkauf von Looper - Gitarren & Equipment mit großartigem Angebot im Musikinstrumente & DJ-Equipment Shop. Looper and Loop Recorder by brands like Fame, Boss, DigiTech and more are available online.
Online-Einkauf von Looper - Gitarren & Equipment mit großartigem Angebot im Musikinstrumente & DJ-Equipment Shop. Die Mafia nutzt in der Zukunft die Möglichkeit der Zeitreisen, um ihre Zielpersonen zu eliminieren. Dabei helfen ihnen Auftragskiller aus der Vergangenheit. Einer von ihnen ist der jährige Joe, der dank seines skrupellosen Jobs ein angenehmes. Looper and Loop Recorder by brands like Fame, Boss, DigiTech and more are available online. "Looper" ist ein US-amerikanischer Spielfilm aus dem Jahr vom Regisseur Rian Johnson und feierte seine Premiere auf dem Toronto International Film. Looper. 1 Std. 58 bad-lobenstein.eu-Sci-Fi und -Fantasy. Im Jahr verdient ein Auftragskiller sein Geld damit, aus der Zukunft zurückgeschickte Personen. Service Anschrift. Feedback Sie haben einen Fehler gefunden oder möchten uns etwas zu dieser Seite mitteilen? Dadurch will er verhindern, dass seine Frau in der Zukunft erschossen wird. Der Zeitreisende zeigt dem Jüngeren eine Karte, auf der die drei möglichen Aufenthaltsorte des Regenmachers in der Gegenwart verzeichnet sind. Vor allem deswegen hebt er sich auch von anderen Filmen mit Zeitreise-Thematik ab und fügt Tatprt stattdessen einen ausschlaggebenden Aspekt hinzu: Mord über die Grenzen der Zeit hinaus. Washington D. Herstellerseite von tc electronic Nur Looper von tc electronic. Abgerufen Naomi Scott Nude 8.
Since future tracking systems have made it nearly impossible to dispose of victims' bodies, the syndicate uses time travel.
Managed by a man from the future named Abe, loopers kill and dispose of victims whose faces are concealed.
The assassins are paid with silver bars that are strapped to their targets. To prevent connections to the syndicate, a looper's final victim will be his or her retired future self.
These targets are identified by gold bars strapped to them instead of silver. Killing one's future self ends the contract and "closes the loop".
Joe's friend Seth confesses to Joe that he has not killed his future self. Old Seth has escaped, after warning Seth that a person in the future called the Rainmaker will overthrow the five major bosses and close all loops.
Abe's men cut an address into younger Seth's arm and then begin severing body parts. These effects appear on Old Seth's body; he goes to the address that has appeared on his arm and is killed.
When Joe's next target arrives, it is his older self, but with his face uncovered and hands unbound. Old Joe escapes before Joe can kill him.
Returning to his apartment, Joe fights with Kid Blue, falls off a fire escape and blacks out. In another timeline, Joe does kill his older self.
He moves to Shanghai and becomes a hitman to finance his drug addiction and wild lifestyle. Eventually, he marries. Seven years later, his wife is killed when Joe is taken to close the loop.
Overpowering his captors, Old Joe sends himself back to , altering his history by evading Joe and escaping. Old Joe experiences vague memories of Joe's actions in the present, and meets his younger self at a diner.
He wants to alter history again and save his wife by killing the Rainmaker as a child. He acquires a map from a local library using numbers written on his hand that are supposed to pertain to the Rainmaker's identity.
Kid Blue and the Gat Men appear, and a gunfight ensues. Both Joes escape, with pieces of the map. Joe follows the map to a farm where Sara and her son, Cid, live.
Sara recognizes the numbers on the map as Cid's birthday and birth hospital's zip code. Joe guesses that Old Joe is going to kill all three children born at that hospital on the same day, not knowing which one will become the Rainmaker.
Jesse, a Gat Man, comes to the farm, but Cid and Joe hide. Later that night, Sara and Joe have sex, and Sara reveals that she has above-average telekinetic powers.
Cid's powers are even stronger. In the morning, Joe wakes to find Jesse holding Sara at gunpoint. Terrified, Cid kills Jesse using telekinesis.
Joe realizes that Cid will become the Rainmaker and that Old Joe will now know this. Kid Blue captures Old Joe and takes him to Abe.
When Cid's face is grazed by a bullet, Sara calms him before he can react and kill them. She sends Cid into the cane field and stands between Old Joe and her son.
Joe realizes that Sara's death will turn Cid into the Rainmaker. He commits suicide , erasing Old Joe's existence, saving Sara and potentially preventing Cid from becoming the Rainmaker.
Looper was written and directed by Rian Johnson. After Johnson released The Brothers Bloom in , he re-teamed with producer Ram Bergman , who produced Johnson's previous two films, with the goal of starting production of Looper in Makeup artist Kazuhiro Tsuji created the prosthetics that Gordon-Levitt wore in the film so that he would physically resemble Willis.
Talking about Looper and time travel in film , Rian Johnson said:. Even though it's a time-travel movie, the pleasure of it doesn't come from the mass of time travel.
It's not a film like Primer , for instance, where the big part of the enjoyment is kind of working out all the intricacies of it.
For Looper , I very much wanted it to be a more character-based movie that is more about how these characters dealt with the situation time travel has brought about.
So the biggest challenge was figuring out how to not spend the whole movie explaining the rules and figure out how to put it out there in a way that made sense on some intuitive level for the audience; then get past it and deal with the real meat of the story.
Looper premiered on September 6, , at the opening night of the Toronto International Film Festival. The Chinese release of the film reintegrates a substantial number of scenes set in Shanghai.
The move was requested by Chinese production company DMG Entertainment in order to further appeal to Chinese audiences. Several of these scenes were shortened or cut for the American release.
Johnson released a free audio commentary on SoundCloud to be downloaded and listened to during the film, with the warning: "Needless to say, this is NOT to be listened to on a first viewing, or before you've seen the film.
The widest release of the film in the U. The critical consensus reads, "As thought-provoking as it is thrilling, Looper delivers an uncommonly smart, bravely original blend of futuristic sci-fi and good old-fashioned action.
James Mottram of Total Film gave Looper 5 stars out of 5, concluding that it was "the best sci-fi movie since Moon.
The best time-travel yarn since 12 Monkeys. And one of the best films of Todd McCarthy of The Hollywood Reporter gave the film a positive review, calling it "an engaging, neatly worked-out time-travel sci-fi thriller", but also criticizing the effects involved in making Gordon-Levitt resemble Willis: "At first, the effect is a bit odd, and you can't quite put your finger on what's off; then it feels downright weird to be looking at a version of Gordon-Levitt who is no longer the actor you've known for a few years now.
Peter Debruge of Variety also gave the film a positive review, writing that writer-director Johnson's "grandly conceived, impressively mounted third feature shows a giddy, geeky interest in science-fiction, then forces it into the back seat and lets the multidimensional characters drive.
In a genre infamous for loose ends, this thinking man's thriller marshals action, romance and a dose of very dark comedy toward a stunning payoff.
Kim Newman of Empire magazine gave Looper 5 stars out of 5, writing, "Intelligent science-fiction sometimes seems an endangered species—too much physics and there's a risk of creating something cold and remote, too many explosions and get lost in the multiplex.
Looper isn't perfect, but it pulls off the full Wizard Of Oz : it has a brain, courage and a heart. This is a highflying, super-stylish science-fiction thriller that brings a fresh approach to mind-bending genre material.
We're not always sure where this time-travel film is going, but we wouldn't dream of abandoning the ride.
Not that that's a bad thing. Most time travel movies run into trouble in the final scenes, when impossibilities pile up one upon another.
This film leads to a startling conclusion that wipes out the story's paradoxes so neatly it's as if it never happened. But it's the glimpses of Children of Men -like societal dystopia that give the movie its real weight".
The showdown of selves illuminates just how little Gordon-Levitt's character has changed over the intervening years, stuck as he is in a feedback loop of drug use and violence despite his pipe dream of moving to Europe.
The retro trench coats and firearms also suggest a sort of eternal recurrence, and as Looper 's plot gets more complex, its central question simplifies: If we can't fix our mistakes, can we at least make sure we don't repeat the same ones over and over again?
Dick into a species of pulp science fiction" and also writing, "A fanciful film with the patina of hyper-realism, Looper is well served by actors who behave not as if they were dropped carelessly into the future but spent their whole desperate lives there.
From Wikipedia, the free encyclopedia. Theatrical release poster. Ram Bergman James D. Release date. Running time. American Film Institute. OK, I'll stop here only because I have undoubtedly confused you all by this point, even though there is so much more to this story I could get into, such as the aspect of futuristic drug use, important terminology such as "closing your loop" and how much makeup one would have to apply if their future self came back in time and looked like Bruce Willis.
Levitt's notable transformation: The fact that Levitt and Willis' face look nothing alike, even with a heavy coat of makeup and prosthetics, isn't as distracting or intriguing as one would think.
In fact, most audiences will become so wrapped up by the story, that they will be inclined to simply ignore any visual flaws this movie has to offer.
And aside from the much anticipated makeup aspect of "Looper", the acting from the two male leads isn't all that memorable. In fact, Emily Blunt and the young boy who plays her son Pierce Gagnon practically steal the show.
But even more interesting than Levitt and Willis' overshadowed performances, is the tone of "Looper" throughout. At times playing for laughs and at others playing more for extreme violence, Johnson seems to be in control of most of his story.
Issues only arise when the tone of this film is drastically thrown off on two separate occasions. The first major tonal disruption comes during a crucial plot point aka when the goal of Willis' character is revealed which I won't give away, but let's just say when the audience I saw this movie with was blindsided by this aggressively dark plot development involving children the somewhat light atmosphere in the theater was thrust into an immediate and very uncomfortable silence.
The second tonal aberration comes into play with the introduction of a small child Gagnon who throws nasty temper tantrums.
Though the real star of the show here is Johnson's script, with an almost perfectly structured plot, "Looper" is only flawed by a few visuals that go awry; all of which are centered around the child character.
In short, and not to give too much away, the sequences when the child has his "tantrums" are filmed in such a way, as to resemble something out of a bad episode of "Heroes".
And while the unavoidably over-dramatized and unintentionally funny scenes of this child having a fit, in slow motion, doesn't take away anything from this massively intriguing storyline, "Looper" is a perfect example of a film that would have been much more impactful as a book if you know what I mean.
Yeah, it probably is, seeing that the amount of movies which would fall under the Sci-Fi genre in is quite thin. And it is worth seeing for the story structure alone, but visually I wasn't as blown away aside from a few scenes of visual brilliance as I thought I was going to be.
In saying that, the hype machine may have gotten to me far too prematurely, because at the end of the day "Looper" is in fact a well constructed piece of Sci-Fi entertainment, which will be thought of by many as being as innovative as "Inception" was a few years ago even though "Inception" was a better Sci-Fi film.
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In , when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Director: Rian Johnson. Writer: Rian Johnson. Available on Amazon. Added to Watchlist. From metacritic.
Dashiell Driscoll: Best of Anthony Breznican: Best of Sci-Fi drama,action,mystery. Share this Rating Title: Looper 7.
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